WICKED WISDOM

04Article by Barbara Cornell.

Syndicated from Barbara Cornell’s personal blog.

Just checked out Jada Pinkette Smith’s death metal band, Wicked Wisdom. They ain’t fixing to take over Metallica’s market share anytime soon (too bad, really), but they’re not half bad. Even though metal is viewed as an angry, young, white man’s genre, it really is an equal opportunity crowd.

That’s not as true with other genres, which seem to be more comfortable in their own demographic. Yes, there are a few white rappers (Eminem, Vanilla Ice — if he even still counts; his most repeated lyric these days is likely, «Would you like fries with that?» and that’s really it), but mostly they’re black. Yes, there are a few old fart pop singers (Paul McCartney…um…), but mostly they’re barely post pubescent, pimplies. Try being a white blues singer or guitar player, and you’ll find yourself faced with «Who does he think he is? White man trying to be John Lee Hooker. Psht.» And try to sell pop music to the teeny-boppers, the Beliebers, if you’re old and wrinkled…good luck with that.

The metal crowd is as likely to embrace the Killswitch Engages, the Sevendusts, the Within Temptations, the AC/DC’s (I heard Angus and his school boy uniform recently celebrated their Golden Anniversary) among us, as they are the Avenged Sevenfolds, and the Five Finger Death Punches. Black, white, latino, asian, male, female, young, old, gay, straight, christian, satanist, atheist, liberal or conservative, the metal crowd just does not care. Just bring it hard, fast and intense.

EXPANSIONS (KRIS BECKER): THE KIND OF ART MUSIC THE MARKET MIGHT ACCEPT

photoArticle by PJ Cornell.

Syndicated from the Asterisked Music Journal.

Assessment: 9.7 out of 10.

Bottom line up front: For several decades now, the culture of the so called “art music” genre, which, in most cases might more aptly be called “academic music;” the institutional heir of what is known as “classical” music, has been to shun anything which might be construed as being accessible enough to be sold to the general public. This condescending attitude toward the listener has, predictably, led to the decline of art music consumption to an amount approaching zero. Kris Becker (composer and piano virtuoso) is a refreshing exception to this trend. This release abounds with clever quartal harmonies set to jazzy rhythms, and an upbeat attitude that, while sophisticated, does not take itself so seriously as to be a burden to listen to.

Highlights: This album, while being largely consistent in style (as opposed to some of his earlier releases, which were eclectic, to say the least), expresses a very wide range of emotional content, from the pensive Elegy, to the blindingly bright and upbeat Piano Sonata #1. One thing this release is not is boring — at any point in time. The harmonic center tends to shift suddenly, with little warning, and by the time we’ve processed the occurrence, we’re on to something else. The harmonic content, in general, is stable enough to not lose the audience, yet varied, dissonant, and progressive enough to hold the attention of the listener throughout each track.

Criticisms: This album does not break new ground in any revolutionary way; it sounds a lot like some of Barber’s better works — but it certainly displays mastery of the art. Think Hindemith spruced up for the market place. This isn’t even really a criticism; you could say that creating market-acceptable art music is a massive innovation in and of itself.

Conclusion: This is a highly sophisticated and listen-able release that displays a lot of theoretical, compositional, and performance mastery, while avoiding the common pitfall of being out of touch with what people want to hear.

THE POLITICAL MACHINE DECLARES WAR ON SURVIVALISM

MonsantoArticle by Mark I Rasskazov, Editor in Chief.

Monsanto, the quintessential «evil corporation,» made over $500,000 in local and federal political contributions in 2012.

This is a corporation that sues organic farmers when their genetically modified swill infects their crops; whereas the reality is that these same organic farmers should be suing Monsanto for damages due to their genetically modified crops reducing the value of their organic crops; as organic crops have been demonstrated to have a much more robust market value than the infestation of GMO at the hands of Monsanto crops, which, incidentally, is also responsible for the disaster that has befallen the bee population.

monsanto_bunos_02ALL WHILE OUR FEDERAL GOVERNMENT SUBSIDIZES MONSANTO!!!

Now that the consumer has «wised up» to Monsanto’s GMO scam, our government, which, MAKE NO MISTAKE, is acting as a proxy for the Monsanto corporation, has declared war on the American survivalist.

A woman from Tulsa, Oklahoma had her survival garden destroyed by government thugs.

A man from North Carolina is being harassed by government goons for heinous crime of living an all-natural lifestyle, and teaching others to do so — learning to live without Monsanto SWILL.

And just in case you think these are isolated cases, and that the government isn’t out to get survivalists, I present for your consideration a sweet little executive order called «National Defense Resources Preparedness

If you don’t buy GMO, and if you have developed the means to survive without Monsanto, then BE ADVISED: your government is AT WAR WITH YOU.

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